In the realm of architecture, liminal spaces have long been a source of intrigue and unease. These spaces, characterized by their ambiguity and lack of purpose, mirror the mental breakdown of an architect struggling to find meaning in their work. The author, Matthew Bovingdon-Downe, delves into the concept of liminality, exploring how these spaces reflect the architect's inner turmoil and the broader anxieties of the AI-conscious and the creeping redundancy they anticipate. The film Backrooms, a cult YouTube series turned feature film, serves as a compelling example of how liminal spaces can be used to explore the human condition. The author argues that the film's success lies in its ability to tap into the collective anxiety of the modern world, particularly the fear of becoming obsolete in an era of rapid technological change. The author also reflects on the director's youth and precocity, questioning how a teenager was able to secure funding for a feature film and achieve commercial success. Overall, the article offers a thoughtful and engaging exploration of liminal spaces and their role in modern architecture and culture.
